Download PDFRevised 7 February 2022
Accepted 14 October 2022
Available Online 21 November 2022
- DOI
- https://doi.org/10.55060/s.atssh.221107.005
- Keywords
- Ceramic sculpture
Wind Lion God
Folk statue
Animal ornaments on house ridges - Abstract
The main materials of the Wind Lion God (风狮爷) consist of copper, stone, ceramic, azure stone and so on. This paper takes the ceramic Wind Lion God as the main research object, starts with its materials technology, analyzes its functionality and modeling language, then compares the Roof Wind Lion God statues in southern Fujian, Kinmen, and Okinawa, and summarizes the relevance of cultural heritage of the three places. From the perspective of regional humanism, this paper also analyzes the reasons for the formation of similarities and differences, understands the similarities and differences of folk statue factors and modeling aesthetics in different regions, and conducts specific research on the cultural functions brought about by the use of ceramic materials that add to the art form of the Wind Lion God.
- Copyright
- © 2022 The Authors. Published by Athena International Publishing B.V.
- Open Access
- This is an open access article distributed under the CC BY-NC 4.0 license (https://creativecommons.org/licenses/by-nc/4.0/).
Cite This Article
TY - CONF AU - Xiaobo Yu AU - Yue Zhu PY - 2022 DA - 2022/11/21 TI - Research on the Statue of Ceramic Wind Lion God BT - Proceedings of the 8th International Conference on Arts, Design and Contemporary Education (ICADCE 2022) PB - Athena Publishing SP - 19 EP - 24 SN - 2949-8937 UR - https://doi.org/10.55060/s.atssh.221107.005 DO - https://doi.org/10.55060/s.atssh.221107.005 ID - Yu2022 ER -
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